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Smartphone Music Production Software Market to Grow at a CAGR of 10.0% over 2025 to 2032; Increasing Adoption of Smartphones to Boost Market Growth

August 08, 2025 | Information & Technology

The global smartphone music production software market size was valued at USD 92.6 million in 2024. The market is projected to grow from USD 98.0 million in 2025 to USD 191.0 million by 2032, exhibiting a CAGR of 10.0% during the forecast period.

Fortune Business Insights™ presents this information in its report titled “Smartphone Music Production Software Market Size, Share & Industry Analysis, By Functionality Type (Synthesizer apps, Sample/Looper apps, Full DAWs (Digital Audio Workstations), Sequencers and Grooveboxes, and Audio Effects Processors (real-time)), By Interface Type (Touch-native apps (gesture-based, modular UI) and Traditional DAWs with Mobile Adaptations), By Deployment Platform (iOS-based, Android-based, and Web/browser-based), By User Type (Independent Musicians and Producers, Hobbyists/Amateurs, and Semi-professional Creators), and Regional Forecast, 2025 – 2032”.

The rising preference for creative fields and the incorporation of AI and ML in mobile apps are driving the growth of the market.

Impact of Generative AI

GenAI’s Ability to Produce Professional-Quality Tracks to Amplify Product Need

GenAI is revolutionizing music creation by enabling users to produce professional-quality tracks from simple text prompts. This trend is fueling personalized, real-time music creation and accelerating the rise of AI-powered subscription and freemium music apps. Tools now generate complete compositions, lyrics, and vocals directly on smartphones. A notable example is the March 2025 launch of stable Audio Open by Stability AI and Arm, enabling offline, high-quality audio generation.

Introduction of Polaris by Meteaure Facilitates Sketching Loops on the Go

Polaris by Meteaure, launched in April 2024 for USD 4 on Android, is a DAW-less groovebox built by former Arturia developer Baptiste Le Goff. With six tracks, a 4x4 step sequencer, synth/sample engine, modulation, and effects such as reverb and delay, it’s perfect for sketching loops on the go. While it comes with samples, it doesn’t support recording or export.   

Growing Demand for Cloud Technology in Music Production to Drive Market Growth

Increasing use of smartphones, combined with the portability and ease of cloud-based music production apps, is driving the smartphone music production software market growth. These apps allow users to record, edit, and publish music anytime, anywhere. Moreover, cloud-enabled mobile music production software enables seamless file storage, real-time collaboration, and access to royalty-free samples, attracting amateur and professional musicians, boosting adoption globally.

However, the cluttered interface of the apps could hinder the growth of the market.

Industry Participants Focus on Boosting Product Performance to Retain Users

Leading mobile music software developers are boosting product performance and introducing feature-rich updates to retain users in a competitive smartphone music production software market. Companies such as Moog Music Inc. and Arturia Tous Droits Reserves are also offering limited-time free versions of their paid software to attract new users by showcasing core features.

List of Key Players Mentioned in the Report

  • Apple Inc. (U.S.)
  • Avid Technology, Inc. (U.S.)
  • Spotify Technology S.A. (U.S.)
  • Roland Corporation (Japan)
  • BandLab Technologies (Singapore)
  • Arturia Tous droits reserves (France)
  • inMusic Brands (U.S.)
  • Native Instruments GmbH (Germany)
  • Steinberg Media Technologies GmbH (Germany)
  • Image Line Software (Belgium)
  • KORG Inc. (Japan)

To get a detailed report summary and research scope of this market, click here:

https://www.fortunebusinessinsights.com/smartphone-music-production-software-market-106428

Key Industry Development

  • May 2024: Apple launched Logic Pro for Mac 11 and Logic Pro for iPad 2 with an aim to introduce AI-powered features for music creation.

Further Report Findings

  • North America secures the key smartphone music production software market share, driven by its status as the world’s largest music market. According to IFPI, the U.S. alone accounts for one-third of global recorded music revenue. With music usage surpassing live TV, Americans now spend 4 hours daily on smartphones versus 3.7 hours on TV, the region presents strong growth potential for mobile music production apps.
  • Driven by digitalization and global competition, especially from the U.S., Europe’s music industry has faced significant disruption. This has altered music creation, distribution, and monetization, prompting the need for strategic alignment across all segments to support sustainable industry growth.
  • Smartphone music production software is gaining traction in the Middle East & Africa, fueled by the growing mobile usage of dynamic music genres such as Afrobeats and Arabic trap. With limited access to studios, many emerging artists turn to mobile apps for creating and recording music, boosting regional adoption for smartphone music production software.  

Table of Segmentation

ATTRIBUTE

DETAILS

Study Period

2019-2032

Base Year

2024

Estimated Year

2025

Forecast Period

2025-2032

Historical Period

2019-2023

Growth Rate

CAGR of 10.0% from 2025 to 2032

Unit

Value (USD Million)

Segmentation

By Functionality Type

  • Synthesizer apps
  • Sampler/Looper apps
  • Full DAWs (Digital Audio Workstations)
  • Sequencers and Grooveboxes
  • Audio Effects Processors (real-time)

By Interface Type

  • Touch-native apps (gesture-based, modular UI)
  • Traditional DAWs with Mobile Adaptations

By Deployment Platform

  • iOS-based
  • Android-based
  • Web/browser-based

By User Type

  • Independent Musicians and Producers
  • Hobbyists/Amateurs
  • Semi-professional Creators

By Region

  • North America (By Functionality Type, By Interface Type, By Deployment Platform, By User Type, and By Country)
    • U.S. 
    • Canada
    • Mexico
  • Europe (By Functionality Type, By Interface Type, By Deployment Platform, By User Type, and By Country)
    • U.K.
    • Germany
    • France 
    • Italy
    • Spain
    • Russia 
    • Benelux
    • Nordics
    • Rest of Europe
  • Asia Pacific (By Functionality Type, By Interface Type, By Deployment Platform, By User Type, and By Country)
    • China
    • India
    • Japan
    • South Korea
    • ASEAN
    • Oceania
    • Rest of Asia Pacific
  • Middle East and Africa (By Functionality Type, By Interface Type, By Deployment Platform, By User Type, and By Country)
    • Turkey
    • Israel
    • GCC
    • North Africa
    • South Africa
    • Rest of MEA
  • South America (By Functionality Type, By Interface Type, By Deployment Platform, By User Type, and By Country)
    • Brazil
    • Argentina
    • Rest of South America

Companies Profiled in the Report

Apple Inc. (U.S.), Avid Technology, Inc. (U.S.), Spotify Technology S.A. (U.S.), Roland Corporation (Japan), Bandlab Technologies (Singapore), Arturia Tous droits reserves (France), inMusic Brands (U.S.),Native Instruments GmbH (Germany), Steinberg Media Technologies GmbH (Germany), Image Line Software (Belgium), KORG Inc. (Japan)

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