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The global smartphone music production software market size was valued at USD 92.6 million in 2024. The market is projected to grow from USD 98.0 million in 2025 to USD 191.0 million by 2032, exhibiting a CAGR of 10.0% during the forecast period.
Fortune Business Insights™ presents this information in its report titled “Smartphone Music Production Software Market Size, Share & Industry Analysis, By Functionality Type (Synthesizer apps, Sample/Looper apps, Full DAWs (Digital Audio Workstations), Sequencers and Grooveboxes, and Audio Effects Processors (real-time)), By Interface Type (Touch-native apps (gesture-based, modular UI) and Traditional DAWs with Mobile Adaptations), By Deployment Platform (iOS-based, Android-based, and Web/browser-based), By User Type (Independent Musicians and Producers, Hobbyists/Amateurs, and Semi-professional Creators), and Regional Forecast, 2025 – 2032”.
The rising preference for creative fields and the incorporation of AI and ML in mobile apps are driving the growth of the market.
Impact of Generative AI
GenAI’s Ability to Produce Professional-Quality Tracks to Amplify Product Need
GenAI is revolutionizing music creation by enabling users to produce professional-quality tracks from simple text prompts. This trend is fueling personalized, real-time music creation and accelerating the rise of AI-powered subscription and freemium music apps. Tools now generate complete compositions, lyrics, and vocals directly on smartphones. A notable example is the March 2025 launch of stable Audio Open by Stability AI and Arm, enabling offline, high-quality audio generation.
Introduction of Polaris by Meteaure Facilitates Sketching Loops on the Go
Polaris by Meteaure, launched in April 2024 for USD 4 on Android, is a DAW-less groovebox built by former Arturia developer Baptiste Le Goff. With six tracks, a 4x4 step sequencer, synth/sample engine, modulation, and effects such as reverb and delay, it’s perfect for sketching loops on the go. While it comes with samples, it doesn’t support recording or export.
Growing Demand for Cloud Technology in Music Production to Drive Market Growth
Increasing use of smartphones, combined with the portability and ease of cloud-based music production apps, is driving the smartphone music production software market growth. These apps allow users to record, edit, and publish music anytime, anywhere. Moreover, cloud-enabled mobile music production software enables seamless file storage, real-time collaboration, and access to royalty-free samples, attracting amateur and professional musicians, boosting adoption globally.
However, the cluttered interface of the apps could hinder the growth of the market.
Industry Participants Focus on Boosting Product Performance to Retain Users
Leading mobile music software developers are boosting product performance and introducing feature-rich updates to retain users in a competitive smartphone music production software market. Companies such as Moog Music Inc. and Arturia Tous Droits Reserves are also offering limited-time free versions of their paid software to attract new users by showcasing core features.
List of Key Players Mentioned in the Report
To get a detailed report summary and research scope of this market, click here:
https://www.fortunebusinessinsights.com/smartphone-music-production-software-market-106428
Key Industry Development
Further Report Findings
Table of Segmentation
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ATTRIBUTE |
DETAILS |
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Study Period |
2019-2032 |
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Base Year |
2024 |
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Estimated Year |
2025 |
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Forecast Period |
2025-2032 |
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Historical Period |
2019-2023 |
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Growth Rate |
CAGR of 10.0% from 2025 to 2032 |
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Unit |
Value (USD Million) |
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Segmentation |
By Functionality Type
By Interface Type
By Deployment Platform
By User Type
By Region
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Companies Profiled in the Report |
Apple Inc. (U.S.), Avid Technology, Inc. (U.S.), Spotify Technology S.A. (U.S.), Roland Corporation (Japan), Bandlab Technologies (Singapore), Arturia Tous droits reserves (France), inMusic Brands (U.S.),Native Instruments GmbH (Germany), Steinberg Media Technologies GmbH (Germany), Image Line Software (Belgium), KORG Inc. (Japan) |
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